We use the term noise for:
Also see Truax about the meaning of noise.
A tutorial about using filters for subtractive synthesis (see also section 4-3 & 4-4 Music & Computers). Noise elements are actually used in music often, a very interesting example is the work of Italian composer Luigi Nono. Other examples include Ryoji Ikeda and Carsten Nicolai (alva noto) - Impulse or Fades.
and this is an article explaining different approaches to noise generation refining our understanding of the range of possible sounds:
a) auditory sensation arising in response to non-periodic sound waves/signals, with flat and dense spectral distributions (vibrational/physical frame of reference)
b) auditory sensation that is undesirable/unpleasant/unintended within a given context, interfering with auditory sensations that are desirable/pleasant/intended (i.e. sounds) within the same context (cognitive/semantic frame of reference, focusing on communication)
Vassilakis et al lecture notes
Also see Truax about the meaning of noise.
A tutorial about using filters for subtractive synthesis (see also section 4-3 & 4-4 Music & Computers). Noise elements are actually used in music often, a very interesting example is the work of Italian composer Luigi Nono. Other examples include Ryoji Ikeda and Carsten Nicolai (alva noto) - Impulse or Fades.
and this is an article explaining different approaches to noise generation refining our understanding of the range of possible sounds:
Atomic noise
KRISTOFFER JENSEN (2005).
Organised Sound, Volume 10, Issue01, April 2005 pp 75-81
http://journals.cambridge.org/action/displayAbstract?aid=306542
Organised Sound, Volume 10, Issue01, April 2005 pp 75-81
http://journals.cambridge.org/action/displayAbstract?aid=306542
No comments:
Post a Comment